In the summer of  2009, my friend Fu-jia, a lemon farmer, came to visit me and we talked about  the low prices of lemons. He just gone through a career change from wedding  photographer to farmer and was constantly worried about mortgage payments and  his son’s tuition. He asked if I would be willing to make a documentary about  the farming industry and find out what has gone wrong. I have never been  interested in the subject of farming, so I told him “since you used to be a  photographer, why not do it yourself?” So he did. With a DV  camera that I lent him, Fu-jia started to film his farmer father, his teenage  son, and the lemon farm that he loves and hates. Soon after he started filming,  one of the most devastating typhoon, Morakot, hit Taiwan.
Fighting the wind and rain, Fu-jia documented the flooded lemon farm; he also filmed the flooded riverbed, which has been the source of villagers’ livelihood for generations. When he showed me the footage, my fellow filmmaker friends and I were blown away by what we saw. We decided to shoot a documentary about this documentarian and call it Fu-jia’s Home Movie.
I photographed  thousands of pictures of Fu-jia, my protagonist, and watched as he  rehabilitated the mired marshland and began planting loofahs. I watched as he  encountered obstacles during filming; I also saw as the villagers’ battle with  the bureaucrats on land rehabilitation. Fu-jia and his fellow villagers have  shed a lot of sweat and tears on this God-given land, but they have also been  able to reap what they have sowed. Then, just as the land was finally  rehabilitated and things were getting back on track, they were hit, once again,  with another devastating typhoon on September 19th, destroying Fu-jia’s loofah  farm.

About the Director
CHANG Yung-ming is currently a director for The Grass at the Riverbank of the DaAi TV. He is also an instructor in the Department of Communication Arts at Tungfang Design University and Pingdong’s City College. After graduating from Pingdong high school and upon completing compulsory military service, CHANG went to Taipei to be an assistant at a film equipment company. He became a production assistant and learned how to fix equipment. CHANG participated in the production of many short films.
Filmography
2009    Remembrance of an  Island
From the Director
My farmer friend Fu-jia borrowed a camera from me in 2009 in order to film the price drop of lemon, and so, a documentary film was born. What started out as an observation on how the farming industry was coping, also became a tribute to his aging farmer father, as well as his teenage son. But Fu-jia eventually put the camera down, due to the lack of understanding and growing stress from fellow farmers and neighbors, as well as the increase of workload on the farm.
To me, his way of documenting seems most down to earth– at times of conflict and yearning– pick up a camera to discover, to document, until one day you are no longer curious. Until you are jaded and exhausted, then you return to the real world, get buried under the minutia of everyday life. If you constantly think you have witnessed something or have something to say, then the process will never end, and you will become a slave to the film. You will lose your life, your purpose, until one day you do not even remember why you picked up the camera in the first place.